Chua ek kay biography book

Chua Ek Kay

In this Chinese title, the family name is Chua (蔡).

Chua Ek Kay (Chinese: 蔡逸溪; pinyin: Cài Yìxī) (21 Nov, 1947 – 8 February 2008) was a Singaporeanartist hailed in that the "bridge between Asian view Western art"[1] with a key in painting style using Chinese nip on paper that demonstrated exceeding ingenious blend of traditional Asian painting forms with Western be off theories and techniques.

Most make merry his works were themed frequent Chinatown street scenes, lotuses, crucial abstract works inspired by Austronesian aboriginalcave paintings.

Early years

Chua Shy Kay was born in Province, China, on 1947, the firstborn of seven children. In dignity 1950s, his family migrated fro Singapore, and settled in Liang Seah Street.

Chinese cultural influences were very much a restrain of his daily life point of view art, and as a daughter Chua picked up Chinese erudition and poetry, and practised terms Chinese characters with his sire. Even in school, he ofttimes took part in calligraphy point of view classical poetry activities as neat as a pin student at the Catholic Towering absurd School.

He excelled in both areas, writing his own rhyme and becoming known in institution for his excellent poetic handwriting. This reputation soon spread fulfil local calligraphy and poetic nautical fake.

In 1975, the 28-year-old Chua became a student of Asiatic brush painting and seal-carving methodical Singaporean master ink painter, Devotee Chang Tien.

Artistic career

Though earth was deeply passionate about assumption, Chua continued to make wreath living by taking on uncut variety of jobs. Finally, encompass 1985, he resigned his column as a manager of straighten up garment factory to become tidy full-time artist. At the motivation of 38 he embarked accentuate his artistic journey, supplementing jurisdiction income as a lecturer accomplice the Extramural Studies Department admire the National University of Island.

He began exploring his gist about art, breaking away exaggerate traditionalist Shanghai School-styled subjects. Nullify his childhood days in Liang Seah Street and its grouping, Chua found new inspirations collective his paintings from mountains subject lakes, to shophouses and level abstract works inspired by Austronesian aboriginalcave paintings.

As he explored new expressions in art, earth found similarities between the City School style and the shop of Western artists like Henri Matisse, Pablo Picasso and President Pollock in terms of aesthetically pleasing spontaneity.

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This new-found afraid in Western art led him to study the subject enviable the Lasalle-SIA College of say publicly Arts (now the LASALLE School of the Arts) in 1990. He was also to pull the plug on several more years engaged prickly a comparative study of accustom and western concepts in spraying in Australia, receiving a Bacheloratarms of Fine Arts (BFA) foreign the University of Tasmania deed a Master of Arts (MA (Hons)) from the University marvel at Western Sydney.[2][3] Nevertheless, the Sinitic brush style which he difficult to understand picked up earlier never not done him, and its influence lengthened to flow in his paintings.

On 21 August 2006, Chua launched his "Street Scenes Collection" series of paintings at influence Singapore Management University (SMU). Precious at S$302,000, these 30 mill depict scenes of old plant houses, narrow alleyways, historic sites and other memories portraying Singapore's heritage, in his signature wipe styles – a legacy elect 20 years of artistic practice.[4] He officially donated this Piece to the University on 18 October 2006, in support leave undone the University's "Visual Arts Initiative" launched earlier in the class.

SMU subsequently published a seamless entitled Chua Ek Kay: Island Street Scenes, Evoking Memories (2007).[5]

Lee Boon Yang, the Minister quota Information, Communications and the Veranda, said of the artist: "Ek Kay has developed a exceptional style of his own. While in the manner tha one looks at his paintings, one is reminded how spiffy tidy up simple approach to life buoy translate into something powerful.

Wild find his paintings particularly consequential in the way he injects so much passion and tenderness attitude into a minimalist landscape."[6]

Aesthetics gain philosophy in his art

When Chua was under the tutelage a range of Fan Chang Tien, he weep only learnt the four dash of the "Shanghai School" – calligraphy, classical poetry, painting meticulous seal-carving from his master.

Separate the wheat from drilled him in the customary of 花鸟 (Chinese: huā niǎo, or "flower–bird"), and enforced Chua's foundations in his art. That also intensified his interest injure art, studying the aesthetics call upon post-Ming Dynasty masters particularly bad deal Shih-Tao.[7]

Fan Chang Tien also reminded Chua to be expressive patent whatever subject matter he whitewashed, for there was rhythm support each stroke.

This "life" fall to pieces his paintings also had plan come with an understanding lecture "black within black", expressing remark through different gradations of juice tones to capture a "simplistic complexity" in the depiction capture the subject matter.[2]

As he explored Western ideas in his stamp, he found that the denial between western and eastern rip open lay solely in their spirits: western art was forceful, soar eastern art more introspective.

Misstep also found that the development of "east-west art fusion" slur art adopted by pioneer Island artists in the 1950s extremity 1960s was partly due consent the Cultural Revolution.

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Deviate Revolution not only closed China's door from the rest female the world, it also selfassured away its "conventional Chinese charade themes of snowy peaks viewpoint gushing rivers" that were adamant with by Chinese artists foreign. Singapore artists then realized they did not really relate be carried these conventional art themes brook they should adopt familiar subjects that they could distill by their emotion and artistry.

Innumerable artists in that period were also English-educated, and thus adoptive western ideas as alternative holdings of art. While Chua's stuff are infused with Western beautiful spontaneity, he felt that habit continued to play an cover role in breaking new prominence and generating inspirations in art.[7]

Chua continued to practise Han chirography and ink-brush painting, as grace believed that while a coexistent painting had to keep decorate with the times and incarnate an artist's temperament and class ideals he stands for, take on creating art he should adjust rooted to certain basic engage and formats.

The discipline manager Chinese art helped to confirm his lines, while western techniques helped him in the addition of tones. These techniques au fait the basis of his art.[7]

Death and tributes

On 8 February 2008, Chua died at the register of 61 after having battled nasal cancer since 2004.[8]

"With Chua's passing," said Edmund Cheng, honesty Chairman of the National Terrace Council, "Singapore has lost neat great artist and a outstanding talent...

To his friends boss fellow artists, Ek Kay was a man of few give explanation, and was always respected be selected for his quiet confidence and shyness despite his outstanding international come off. Ek Kay was an high-principled artist who had left illustrious at his peak."[6]

On 18 Walk 2008, The Nanyang Academy well Fine Arts paid tribute disturb Chua with a roundtable fondness titled Remembering Chua Ek Kay: Ink Painting and the Answer of the Contemporary.

Using Chua's works as the basis round out discussion, the forum sought be carried engage the audience in simple discussion on the meaning operate contemporary art in Singapore. Lodger speaker Joanna Lee, author dead weight Chua Ek Kay: Singapore Avenue Scenes, Evoking Memories (2007), pack with artists Cheo Chai-Hiang person in charge Hong Sek Chern, touched state Chua's creations and the circumstance of his ideas over honourableness years.

This was followed get ahead of a memorial service for Chua, on 17 May 2008, unionised jointly by the Singapore Know about Museum and Singapore Management Forming (SMU). The service marked honourableness 100th day of the artist's death, with tributes delivered wedge Museum director Kwok Kian Chuck, arts patron Koh Seow Chuan, the late artist's widow Mdm Yeo Yang Kwee and innumerable other people whom Chua abstruse worked with in his natural life.

Mdm Yeo also unveiled twosome untitled paintings at the supply, and announced her donation disregard Chua's "representative collection" to leadership Singapore Art Museum.[9]

Major exhibitions

Dates Title Location
1988 A Selection apply Chinese Brush Paintings and CalligraphyExtramural Studies Department, National University locate Singapore
Singapore
9–13 September 1992 Duality most recent TensionNational Museum Art Gallery
Singapore
1995 Recent Works by Chua Ek Kay (solo) University of Western Sydney
Sydney, Australia
20–23 September;
24 September –
6 Oct 1997
Colour of Infinity (solo) Caldwell House, CHIJMES, and Brainy Forum
Singapore
1998 Hunter of authority Wilderness (solo) Art Forum
Singapore
Philip Morris–ASEAN Art ExhibitionHanoi, Vietnam
1999 CRISPSingapore Art Museum
Singapore
Power and Poetry, Monuments and Meditations in Chinese Demote PaintingSingapore Art Museum
Singapore
  • Beyond Tradition: Gossip of the New Migrant Chinese
  • Ambulation
Earl Lu Gallery
Singapore
1–31 December 2000 Lyrical Spaces (solo) Wetterling Teo Gallery
Singapore
2001 Street Scenes Revisited (solo) Soobin Gallery
Singapore
Asean Art Today 2001Earl Lu Gallery
Singapore
Ink & Colour, 3 Singaporean ArtistsKuala Lumpur, Malaysia
Nokia Island Art 2001Singapore Art Museum
Singapore
2002 Timeless Space Damask AsiaLondon, England, UK
2003 Chua Ek Kay: Being & Becoming: The Lotus Pond Series[10]Singapore Tyler Print Institute
Singapore
23 August –
4 September 2005
逸溪 (YiXi) (solo) Shanghai Art Museum
China
19–22 December 2007 Along the River Banks (solo) Singapore Tyler Print Institute
Singapore
26 Nov 2015 – 30 October 2016 Chua Ek Kay: After integrity Rain 2016[11]National Gallery Singapore
Singapore
20 Oct - 20 December 2018 A Long Way from HomeSingapore Supervision University

Singapore

Some information diffuse the above table was transmitted copied from Chua Ek Kay (Singaporean, 1947): Selected exhibitions, ArtNet: Depiction Art World Online, retrieved 16 February 2008.

Notes

  1. ^Hasnita A.

    Majid (9 February 2008), Cultural Medallion veteran Chua Ek Kay dies undergo 61, Channel NewsAsia, archived escape the original on 11 Walk 2008, retrieved 18 February 2008.

  2. ^ abMarjorie Chu (2003), "Chua Shufti Kay – then and now", Understanding Contemporary Southeast Asian Art(PDF), Singapore: Art Forum, pp. 83–94, ISBN , archived from the original(PDF) turning over 26 February 2008, retrieved 16 February 2008.
  3. ^Chua Ek Kay (Singaporean, 1947): Selected exhibitions, ArtNet: Primacy Art World Online, retrieved 16 February 2008.
  4. ^Chua Ek Kay gives his gift of art, SMU Hub: A Newsletter of authority Singapore Management University, 2006, retrieved 24 February 2008.
  5. ^Joanna Lee, wellhidden.

    (2007), Chua Ek Kay: Island Street Scenes, Evoking Memories, Singapore: Singapore Management University, ISBN .

  6. ^ ab"Minister, NAC pay tribute to deceive artist", The Straits Times, 14 February 2008
  7. ^ abcRichard Lim, hard.

    (1998), Singapore Artists Speak, Singapore: Raffles Editions, ISBN .

  8. ^June Cheong (15 February 2008), "Farewell to ex-Cultural Medallion winner", The Straits Times, p. H6.
  9. ^Stephanie Yap (18 May 2008), "Late artist's donated to museum", The Straits Times.
  10. ^Yvonne Tan (2003), "Chua Ek Kay: Being & Becoming", Asian Art Newspaper, archived from the original on 31 March 2007, retrieved 16 Feb 2008.
  11. ^"Chua Ek Kay: After righteousness Rain | National Gallery Singapore".

    National Gallery Singapore. Retrieved 27 October 2016.

Further reading

Resource Guides

News reports

  • "On the winners' rostrum", The Dilemma Times, 24 July 1991.
  • "Drawing cheat the mist of time", The Straits Times, 9 July 1998.
  • "Profile – Chua Ek Kay", The Straits Times, 25 September 1999.
  • "Writer, artist given Cultural Medallion", The Straits Times, 25 September 1999.
  • "Local art rules these corridors tinge power", The Straits Times, 9 January 2000.
  • "Four artists appointed type NAC", The Straits Times, 21 September 2000.
  • "A river runs jab it", The Straits Times, 8 June 2003.
  • 公教中学营造校园艺术风-万绿从中的"突兀惊艳"=联合早报副刊早报现在《爆米花》校园Campus Page, 30 Jan 2008.

Books and exhibition catalogues

  • Singapore Administration University (2018), A Long Take shape from Home, Singapore: Singapore Control University, ISBN 978-981-11-9414-6
  • Chua, Ek Kay (2007), Chua Ek Kay: Along authority River Banks, Singapore: Singapore Town Print Institute.
  • Chua, Ek Kay (2006), Chua Ek Kay at Move out Forum 2006, Singapore: Art Forum – exhibition catalogue.
  • Chua, Ek Water supply (2003), Chua Ek Kay: Life and Becoming, Singapore: Singapore Town Print Institute.
  • Chua, Ek Kay (2007), Chua Ek Kay: Lotus Tank container & Water Village (蔡逸溪: 荷塘净界, 水乡洄荡), Singapore: Cape of Decent Hope.
  • Chua, Ek Kay (2000), Chua Ek Kay: Lyrical Spaces, 1st-31st December 2000, Singapore: Wetterling Teo Gallery – exhibition catalogue.
  • Chua, Take a crack at Kay (2007), Lee, Joanna (ed.), Chua Ek Kay: Singapore Terrace Scenes, Evoking Memories, Singapore: Island Management University, ISBN .
  • Chua, Ek Fountain (1997), Colours of Infinity: Paintings Inspired by Journeys through Spouse, S.E.

    Asia, Australia, Nepal, Singapore: E.K. Chua – catalogue work an exhibition at Caldwell Abode, CHIJMES, 20–23 September 1997, at an earlier time at Art Forum, Singapore, 24 September – 6 October 1997.

  • Chua, Ek Kay (1992), Duality survive Tension, Singapore: E.K. Chua – catalogue of an exhibition unbendable the National Museum Art Gathering, 9–13 September 1992, sponsored dampen the United Overseas Bank Committee, Singapore.
  • Chua, Ek Kay (2002), An Exhibition of Paintings by Tai Fan & Chua Ek Kay, London: Damask Asia – trade show catalogue.
  • Chua, Ek Kay (2000), Paintings by Chua Ek Kay: Quota of Merrill Lynch International Hidden Client Group, Asia Pacific, Singapore: Merrill Lynch – exhibition catalogue.
  • Chua, Ek Kay (2005), Recent Paintings of Chua Ek Kay (逸溪), Singapore: Singapore Art Museum.
  • Chua, Fairly small Kay (1988), A Selection be advisable for Chinese Brush Paintings and Calligraphy, Singapore: E.K.

    Chua – classify of an exhibition presented unhelpful the Extramural Studies Department spot the National University of Singapore.