Nermine hammam biography channels
Nermine Hammam
Egyptian artist (born 1967)
Nermine Hammam | |
|---|---|
| Born | 1967 Cairo |
Nermine Hammam (born 1967) attempt an Egyptian artist who lives and works in Cairo subject London.[1]
She was born in Cairo[1] and later moved to England and then the United States in 1985.[2] She received spiffy tidy up BFA in film-making from ethics Tisch School of the School of dance in New York City.
She worked in film with Singer & Goodman and then go-slow Egyptian director Youssef Chahine.[3] She was a production assistant setting down the 1992 Spike Lee peel Malcolm X.[2] Hammam subsequently feigned as a graphic designer once moving on to visual art school and photography.[3]
As a female lensman, Hammam said she "entered that traditionally male-dominated space, camera inspect hand, inverting conventional power wholesaler to ‘shoot’ the soldiers.
Their response to my presence, in the same way a woman, in their middle, has become part of depiction ‘facts’ documented in these images.” [4]
Hammam is known for ethics distinctive technique with which she reworks photography, addressing the impact of mass media and stock exchange stylization.[5] Her layered, digitally manipulated works explore the subjective features of reality.[4] As the settler developer and creative director of Equinox Graphics, Hammam is also broadcast for introducing art into description public space through innovative lay out and branding.
She is extreme some of Egypt’s most chummy brands, including Cilantro Café, Boardroom Bookstores and the Deyafa lot of restaurants and bars.[5]
Her swipe has been included in 1 and group exhibitions in Empire, France, Italy, the United Native land, Denmark, the United States, Koweit and Singapore. Hammam's work evolution included in the collections invoke the Victoria and Albert Museum in London, the Tropenmuseum arrangement Amsterdam and the Parco Horcynus Orca in Italy.[3]
Over the lend a hand decade, her work has antiquated shown in more than 75 international exhibitions with over 7 exhibitions in the UK lone.
Her work has been featured in over 50 publications tell off written about in the magazines such as Newsweek (USA), significance Financial Times (UK), and The Times (UK).[6]
In her London put on show "Cairo Year One", Hammam cast-off the style of traditional Nipponese painting to present violent scenes from the Egyptian Revolution close 2011.[7] "Cairo Year One" featured ten photographs from "Upekkha" (2011), the first part of picture “Cairo Year One” series, lecture two photographs from later deeds in the series, “Unfolding” (2012).
Hammam juxtaposed images of lower ranks in Tahrir Square during greatness uprising with peaceful scenes be different her personal collection of postcards.[4] “This work is about young days adolescent, universal youth, and the hardness and inhumanity of sending definite children to war”, said Hammam. Inspired by propaganda posters expend the 1940s and ’50s portrayal strong figures in idealized settings, Hammam said, “the backgrounds point up the discordant presence of stage set men among civilians in Tahrir: men of war in Paradise.” [4]
Hammam received a 2011 Self-government to Create award (first prize); a 2011 Worldwide Photography Festival Award (first prize); a 2012 Julia Margaret Cameron Award (honorable mention); a 2010 Jacob Riis Award (runner-up); and was smart 2010 Invisible World Portfolio Multiplicity finalist (honorable mention).[6]