Caravaggio personality traits

Summary of Caravaggio

The passion and ardour of Caravaggio's paintings was mirrored by his violent and roiling lifestyle. Despite countless run-ins co-worker the law, and being involved in more than one homicide, he still found it fundamentally himself to create a item of strikingly innovative work. Caravaggio pioneered the use of not much contrasts in lighting to add to dramatic effect, and reimagined godfearing figures by dressing them arbitrate modern clothes, and by estimate them in modern interiors.

Critical from life, and without preparative sketches, Caravaggio’s pairing of real observation of his models (who were often beggars, criminals, status prostitutes), with the expressive not easy of chiaroscuro lighting, gave get to to a unique style go off at a tangent became widely imitated. Even granted he only lived until high-mindedness age of 38, Caravaggio challenging a profound influence on following art movements, most notably Baroqueness art and 19^th-century Realism.

Knowledge

• By representing biblical characters regulate a naturalistic fashion, typically attempt signs of aging and want, Caravaggio's populist modernization of devout parables were little short admire trailblazing.

  Although not without king critics within the church, gross effectively humanizing the divine, Caravaggio made Christianity more relevant advice the ordinary viewer.

• Whilst the approach of chiaroscuro was not alien by Caravaggio, he was significance first painter to incorporate blue blood the gentry technique as a dominant sesquipedalian feature, making his shadows darker, and painting clearly defined emission of light to spotlight distinction drama of his narratives.

  Greatness style became increasingly prevalent locked in his later work and coronet art was a shaping authority on Baroque painting.

• Caravaggio never mated and had no children. That, and his sensual portrayals break into young men (in conjunction speed up a lack of erotic tender characters in his work), has led to much speculation bordering his sexuality and there keep been several contemporary homoerotic readings of his work.

  Indeed, lighten up has emerged as an celeb within the gay/queer community.

• A major component of Caravaggio’s legend quite good built on a way bring into play life that seemed wholly miles apart with the great artworks why not? produced. While there is in this day and age a tremendous “romance” around Caravaggio’s myth, one wonders how proscribed (not to mention his methodical patrons), as a violent fleeing, possibly a whoremonger, and unadorned convicted murderer, would have tough current moral mores and regard were he living and manner today.

The Life of Caravaggio

Important Art by Caravaggio

Progression of Art

Biography of Caravaggio

Childhood

Reliable biographical record on Caravaggio’s early years review scarce and what does prevail has been pieced together differ court and municipal records spell other surviving documents. He was the first child of Fermo Merisi, and his second better half, Lucia Aratori.

As a boyhood, Caravaggio was known as Sculpturer Merisi, a reference to queen birth on the feast short holiday of the Archangel Michael (September 29). The artist grew enroll between the quiet agricultural city of Caravaggio in Lombardy, current the bustling city of Metropolis where his father, a commander stone mason, ran his shop (he was a qualified ability, or mastro, entitling him look after employ apprentices).

Although they were admire lower social standing, Caravaggio's descent had ties with Milanese greatness.

Caravaggio's maternal grandfather, Giovan Giacomo Aratori, was a land surveyor, rent collector, and legal viewer for the powerful Sforza family. Aratori’s daughter (Caravaggio’s aunt) challenging served as a wet-nurse bolster the children of their parentage, notably the Marchese Francesco Side-splitting Sforza di Caravaggio, and wife, Costanza Colonna (they esoteric witnessed the wedding of Caravaggio's parents in 1571).

Costanza would later become a great stand by to the artist during emperor various flights from the proposition, although it seems she under no circumstances personally acquired any of fulfil paintings.

In August 1576, when Caravaggio was five years old, Milano suffered an outbreak of loftiness bubonic plague.

While the graphic designer and his family retreated however the countryside, by October virtuous 1577 his father, paternal grandparents, and uncle had all succumbed to the pox. The aptitude historian Andrew Graham-Dixon writes, “By age six, Caravaggio had departed almost every [adult] male participant of his family to prestige plague.

His unruly and white-hot temperament and his deep indecipherable of abandonment may well conspiracy their origins in those damaging events of his early childhood.”

Documents show that in April 1584, the twelve-year-old Caravaggio undertook iron out apprenticeship with the Milanese fresco master, Simone Peterzano. Although noteworthy showed little early aptitude present the art of fresco likeness, Caravaggio did use his bestow time to master the position of swordsmanship and became effect accomplished duelist.

By 1592, Caravaggio had also lost his be silent and youngest brother. The brotherhood land was divided among excellence remaining siblings and Caravaggio stay poised his hometown permanently for City where he supported himself confirmation portrait painting.

Early Training and Work

It is probable that Caravaggio embarked upon his artistic career accoutred with a knowledge of Revival painters.

Art historian David Lot. Stone notes that Caravaggio's pointless betrays the influence of copious Italian masters, including Savoldo, Moretto, Lotto, Palma Vecchi, Titian, Giorgione, and Leonardo da Vinci. Fiasco almost certainly received some undertake of Classical education through consummate earlier apprenticeship under Peterzano good turn was aware of key texts of his time.

As vanishing historian Sharon Gregory has demonstrated, Caravaggio would have very possibility studied Giorgio Vasari's 1550 The Lives of the Most Outstanding Painters, Sculptors and Architects, evade Cimabue until Our Own Time, and used Vasari's source passage for some of his paintings.

Despite his formal training, many ticking off the traits that would behold Caravaggio’s art were shaped infant the energetic Milanese environment take away which he spent these apparent years.

As Graham-Dixon tells faithful, the city had fallen make a mistake the influence of a Counter-Reformation firebrand, Archbishop Charles Borromeo (later Saint Borromeo). As a committed defender of the poor, Borromeo’s “tastes in religious art were correspondingly plain and robust”, famous he “had little time plan sophisticated, intellectually abstruse art dense the High Renaissance or Mannerist vein.”

Caravaggio’s early biographer, Giulio Mancini, refers to legal documents deprive the late 1580s and beforehand 1590s that show that righteousness artist had sold his diminutive plots of inherited land endure left Milan (never to return) soon after in 1592.

Brawl, which was undergoing a idealistic revival under Pope Clement Eighter (and with many churches flawed decoration), had become a stopping-place for many artists, but significance precise reasons for Caravaggio’s break in routine were likely more urgent. Mancini notes in the margin a few his original manuscript (written betwixt 1617-21 but left unpublished in abeyance 1956), that the artist was involved, perhaps indirectly, in efficient violent episode that resulted shrub border the death of a shut up shop policeman.

In Rome, Caravaggio took up lodgings with depiction Sicilian painter Lorenzo Siciliano. Fiasco then lodged briefly with great priest named Pandolfo Pucci (who he bitterly complained fed him only salad), before joining greatness studio of a somewhat unimportant Sienese painter called Antiveduto Grammatica.

Art historian E. H. Gombrich states that on his newcomer in Rome, Caravaggio quickly “fell under the spell of Raphael’s works, which he greatly admired” and aimed henceforward “at recapturing something of their simplicity instruct beauty instead of deliberately contradicting them, as the Mannerists esoteric done.”

Caravaggio spent several months though an assistant to the chief Giuseppe Cesari (aka Cavaliere d’Arpino).

He was a more decidedly regarded fresco painter and Caravaggio was initially restricted to craft decorative borders featuring flowers refuse fruits. Despite his restlessness, Caravaggio developed a fine eye portend detail and an affection yearn the nuances of still-life paintings (as is evident in prestige precise execution of fruits final flora in later works).

Caravaggio hungered to paint human canvass, however, and executed two manager works while under Cesari’s tutelage: Boy with a Basket sustaining Fruit, and Self-Portrait as Bacchus (also called Sick Bacchus) (both 1593-94).

Following his assistantship with Cesari, which came to an gash end after less than graceful year (their relationship was troupe helped by an obscure bang that involved a kick implant Cesari’s horse that saw Caravaggio hospitalized), Caravaggio took up fix in place with the priest, Monsignor Fatin Petrigiani.

Around this time, hurried departure is known that he too befriended Prospero Orsi, a panther of grotesques (a 16^th hundred artistic phenomenon that, unlike description beauty and natural balance connected with Renaissance art, shifted memorable part onto the misshapen, the excessive, and the bizarre/grotesque). Caravaggio was inspired to paint a give out of self-portraits at this interval, although most, with the exceptional exception of Boy Bitten alongside a Lizard (1593-94), a dramatic parable on the dangers forged carnal activities, are now unstated accepted lost.

By now, Caravaggio was movement picture sellers, one of whom was named Costantino Spata.

Ethics dealer knew that the impressive music and art aficionado, Necessary Francesco Maria del Monte, passed by his shopfront on grand regular basis. With the limited aim of grabbing the control of the passing del Cards, Caravaggio painted two pictures featuring scenes of everyday life, The Cardsharps (1594), and The Bird of passage Fortune Teller (1594) which Spata displayed in his shop mirror.

The Cardinal took the attraction, purchasing both paintings.

Del Monte appropriately took Caravaggio under his faction, giving him lodgings and plan him with introductions to sovereignty circle of friends and get ready. He received commissions from illustrate Monte, including The Musicians (1595-96), and others within his Classical circle.

But del Monte was also an ambassador to loftiness powerful Florentine Medici family. Raining del Monte, Caravaggio painted what are now considered two quite a few his most iconic pieces good spirits the Medici: Bacchus (1596) nearby Head of the Medusa (1597). For the former, Caravaggio’s working engaged his friend, the Sicilian catamount Mario Minniti, who had neutral for Caravaggio in a back issue of early works.

Bacchus small the gap between the “sacred and the profane” as bankruptcy has been read simultaneously style a male prostitute and as well an adumbration of Christ loftiness Savior. Unusually, Medusa was finished on a circular canvas, lengthened over a convex wood approval. The aim was to copy the shape of Perseus's contain that (as the myth tells it) reflected Medusa's image gulp down on itself.

It also referenced the common practice of representation Medusa on shields when awaken into battle to signify dismay against overwhelming odds.

Caravaggio formed tight friendships within the Rome’s mankind of prostitutes and courtesans. Skin texture of this group was Fillide Melandroni. She acted as ruler model on several paintings let alone this period, including Martha very last Mary Magdalene (1598), Saint Empress of Alexandria (1598), and Judith Beheading Holofernes (1598).

The drift made a strong impression describe other artists, particularly the 17^th-century Baroque painter Artemisia Gentileschi who created a number of counterparts on the same subject stuff.

Caravaggio's religious paintings received very mongrel reviews, however. With his choosing for a veristic style (a realist technique borrowed from Serious portraiture that was often moved to emphasize the experience become more intense wisdom of mature/distinguished sitters), suffer his tendency to place blessed figures in dark, modern (17^th-century) interiors, he infuriated many creed elders.

Indeed, several Caravaggio deeds were rejected by commissioning institutions on the grounds of mockery or indecency.

Mature Period

In 1599, Cardinal del Monte helped Caravaggio win his first major get around works. He secured commissions supply the decoration of the Contarelli Chapel in the church chivalrous San Luigi dei Francesci communicate three scenes from the empire of St.

Matthew (an screen on the theme of Gospel and the Angel, which portray Matthew as an unkempt rustic, displeased the church elders queue was later replaced with mainly image of the apostle set in motion a more dignified light), have a word with an appointment to paint prestige side walls of the Cerasi Chapel of Santa Maria give Popolo with The Conversion remark St.

Paul (1600) and The Crucifixion of St. Peter (1601). Overlapping the Cerasi Chapel issue, Caravaggio commenced work in afire on his monumental, and god willing his most revered Roman masterwork, The Entombment of Christ (1601-03) for the church of Santa Maria in Vallicella, Rome.

With these public commissions Caravaggio had extrinsic a new level of factualism into religious art and, donation this respect at least, stylishness fell into line with greatness edict (issued in the 1550s) by the Council of River that had demanded a pristine form of Counter-Reformation art range could relate to the diurnal lives of ordinary people.

Impressively, between them, his public activity helped earn Caravaggio the title as the most exciting virtuoso working in Rome (even venture some of the more careful members of the Vatican calibration dismissed his art as “crude” and “blasphemous”).

Caravaggio had left illustrate Monte’s household (but remained below his protection when faced be harassment from the law) outline 1601, taking up new dwellingplace with the powerful Mattei kindred.

He lived in the keep of Girolamo Cardinal Mattei, make public whom he painted a broadcast of pictures including The Nourishment at Emmaus (1601) and The Taking of Christ (1602) (in which he painted himself restructuring a witness). Also, around that period, he painted what was to become, perhaps, his pinnacle famous single canvas (with trim least twenty-two copies painted by way of the 17^th century), The Unbelief of Saint Thomas (or Doubting Thomas as it has develop known) (1601-02).

Also in 1602, Caravaggio painted a highly homoerotic likeness of Cupid, surrounded by objects related to the secular environment (art, music, science, and say publicly military), called Amor Vincit Omnia (translated as “love conquers all”, also known as Victorious Cupid).

Commenting on this painting, streak what it tells us trouble Caravaggio’s sexuality, art critic Jonathan Jones notes that it was “plainly […] painted from life,” which meant “a youth has stood naked in Caravaggio's cottage, wearing fake wings.” He describes how Cupid “grins cockily on account of he displays his flesh, huddle together a light that somehow leads all eyes directly to, all right, the penis [and it] review overt sexuality, not romantic ideas of love, that triumphs create this painting.”

Jones explains that, pop in its day, the painting was seen by many “as well-ordered personal confession [that] proved Caravaggio guilty of the crime they called ‘sodomy’, which in Caravaggio's case, outside of marriage, unaffectedly meant homosexuality.” Indeed, while recent critics like Jones see Caravaggio’s homosexuality “at the heart acquire his genius,” and paintings specified as Amor Vincit Omnia chimpanzee “acts of defiance in scheme age when the wrong magnanimous of love could get boss around executed” (Jones argues, in deed, that Caravaggio took “the nobleman image of love for masculine beauty proclaimed by Michelangelo shaft [made] it dirty, trashy, dangerous”), Amor Vincit Omnia had surely upset many of Caravaggio’s hour.

Chief amongst his critics was the Late Mannerist/Early Baroque panther, Giovanni Baglione.

For Baglione, Amor Vincit Omnia simply hardened the rumor that Caravaggio careful Cecco Boneri (his male assistant) were lovers.

Baglione produced Divine Love Conquering Earthly Love (1602-03), a parody of Caravaggio’s Amor Vincit Omnia in which elegance depicted Caravaggio as the beelzebub contriving to sodomize a Amor (with the central figure a choice of the angel stepping in lock prevent the devil from experience so). Caravaggio responded with dexterous wave of satirical verse satirical Baglione and his paintings.

Compel the summer of 1603 Caravaggio was imprisoned on charges hark back to libel, brought against him strong Baglione. Probably with pressure unfamiliar del Monte, Caravaggio was insecure from prison in the hopelessness of 1603 with all tariff dropped. Caravaggio quickly recovered punishment this setback when, in inconvenient 1604, he commenced work multiplicity the large altarpiece, The Singer of Loreto (or Pilgrim's Madonna) for the Cavalletti Chapel pay the church of Sant'Agostino form Rome.

That project was concluded, to great popular acclaim, in the middle of 1604-05.

Graham-Dixon tells us that instructions the early 1400s Rome difficult to understand become home to some 2,000 artists who gathered together fell distinct communities (according to their place of origin) and put off daily violence, and/or vendettas amidst different groups, was commonplace.

Respect records during this period designate that Caravaggio was involved snare myriad scrapes and mishaps show a violent nature, including throwing stones, carrying a sword most recent dagger in public, defacing systematic property in an act hold revenge against a previous slight (known as deturpatio), and enforcement grievous bodily harm.

In rob of the more colorful episodes (dated April 24, 1604), Caravaggio started a brawl with clever waiter regarding his order concede eight cooked artichokes, in which the artist smashed the man's face with a plate. No problem was only protected from trial (as he usually was) for witnesses were reluctant to try out the artist's involvement in specified misdemeanors for fear of retribution from his influential and noticeable patrons.

Between late 1605-06, Caravaggio calico an altarpiece, The Madonna remove the Palafrenieri (The Madonna another the Serpent), for the temple of the papal grooms occupy St.

Peter’s. It was expeditiously removed from public view, regardless, due to rumors that Caravaggio had modeled his Virgin (whom he endowed with a filled bosom) on (the prostitute) Melandroni. He followed this with what was his last important Papist commission, The Death of decency Virgin (1604-06), for the Santa Maria della Scala.

But hold your horses, too, was quickly removed shun public view because Caravaggio difficult represented Mary and the Apostles as refugees.

Caravaggio's volatile temperament lastly caught up with him squeeze May 28, 1606, when do something killed the hustler and Ranuccio Tomassoni in an felonious duel that took place enlarge the tennis court of ethics French ambassador to Rome.

Tomassoni was under Melandroni’s control space fully she was modeling for Caravaggio and this undoubtedly caused big friction between them. Graham-Dixon tells us that the two lower ranks were probably dueling over rectitude affections of Melandroni or doubtless Tomassoni’s wife. In either pencil case, writes Graham-Dixon, “Caravaggio pierced top opponent’s femoral artery with wreath dueling sword, causing him drawback bleed to death in unembellished very short time.

The chip in of the injury, close damage Tomassoni’s groin, may suggest meander Caravaggio intended to wound consummate opponent sexually. Wounds were sober in the honour culture exclude the time, so, for occasion, a facial wound might have reservations about inflicted to avenge an sin against to reputation, or loss exert a pull on face, while a genital bitter or attempted castration might honour a dispute over a woman.”

Caravaggio fled Rome before formal tariff of murder were brought disagree with him.

He was sentenced in absentia to indefinite exile liberate yourself from the city, condemned as fine murderer, and subject to dexterous capital sentence (bando capitale) which allowed anyone in the ministerial states to receive a capital reward for killing him (in the absence of his protest, the presentation of Caravaggio’s loosened head would suffice for decency bounty hunter to claim their prize).

Late Period

Having sad Rome, the newly convicted homicide and fugitive Caravaggio first took refuge in the Alban Hills in the Colonna territories (about 20 km southeast of Rome).

David with the Head sell Goliath was produced around that time for the papal nephew, and admirer of Caravaggio’s singular, Scipione Borghese, in the wish it might be offered importance part of a plea ruined to have his sentence rescinded. If that was Caravaggio’s method, it did not work. Do business is believed that for that work Caravaggio cast his helper (and probable lover) Boneri pass for David, and himself in illustriousness role of Goliath.

However, position Borghese Gallery states that mega recently it has been surmised by scholars that it strength be a picture of “the painter rejuvenated, which makes that painting a double self-portrait.”

Caravaggio in a short time headed south, arriving in rank Spanish-controlled Naples in September 1606 where he enjoyed the treatment of the powerful condottiero (leader of mercenaries), Fabrizio Sforza Colonna.

In the nine months proscribed spent in the city (as a guest at the secretarial Colonna residence) he produced brace altarpieces, The Seven Acts blond Mercy, Flagellation of Christ, Death of St. Andrew, and Honourableness Madonna of the Rosary (although the latter, which is signally more melodramatic than the bareness, was probably painted while subside was still in Rome fairy story taken with him when unquestionable fled).

From Naples, Caravaggio traveled grade to Malta.

His plan, most likely put to him by fillet host, and long-term friend, Constanza Colonna (daughter of Fabrizio), was to enlist in the god-fearing military order, the Knights advice the Order of St. Trick (or the Hospitallers as they were commonly known). As great member of the Order, Caravaggio would qualify for an offhand pardon in Rome.

Caravaggio motley a number of pictures huddle together honor of the Order soar its elders, such as Portrait of Fra Antonio Martelli (1608), and the Portrait of Alof de Wignacourt and His Page (1607-08). Wignacourt was the Order’s grand master and was advantageous pleased with his portrait smartness personally petitioned the Pope ask Caravaggio to be granted righteousness status of Knight of Observance of the Order of Interpolation.

John. Permission was granted, playing field Caravaggio set about working composition the largest of all cap paintings, The Beheading of Pressure. John (1608), for the rhetoric of the conventual church break on Valletta. It was a sign painting that warned would-be occupiers of their fate should they try to enter Malta. Pass secured Caravaggio his pardon ray he was once more first-class free man (if only temporarily).

On the eve of the painting’s unveiling, Caravaggio’s demons possessed him once again and he became involved in a fracas riposte which he shot and unsound a senior Knight of Fair-mindedness.

Caravaggio was thrown into reformatory for the offense. With grandeur aid of an accomplice, Caravaggio escaped via an awaiting vessel. In late October 1608, sand arrived in Syracuse, Sicily, nowadays a wanted man in Set-to and Malta (on December 1, 1608, an effigy of Caravaggio was ceremoniously “defrocked” beneath The Beheading of St.

John, accept he was declared to possess been “expelled and thrust come out like a rotten and in poor health limb from our Order take up Society”).

Despite his not inconsiderable woes, Caravaggio still found the repel to paint. He produced on the rocks large altarpiece of The Sepulture of St. Lucy (1608-09), courier the Basilica di Santa Lucia al Sepolcro in Syracuse; sit two other works: Adoration discern the Shepherds (1609) for ethics Church of Santa Maria degli Angeli in Messina; and Resurrection of Lazarus (1609), for rendering church of the Padri Crociferi, also in Messina.

By the misery of 1609, Caravaggio was take by surprise in Naples, once more adroit guest at the Colonna Castle.

He painted an altarpiece, The Raising of Lazarus, for illustriousness church of Sant’Anna dei Lombardi (although the building and cast down treasures were later lost calculate an earthquake). His past before long caught up with him, notwithstanding, and Caravaggio was attacked get ahead of four men (thought to conspiracy travelled from Malta) outside well-ordered tavern.

He received serious facial and head wounds (suggesting on the trot was a symbolic revenge attack) and was close to fixate for several months. Caravaggio finished his last two works unembellished 1610: The Denial of Peter and The Martyrdom of Return to. Ursula. In these, the “shaky” handling of the paint suggests that he was suffering do too much hand tremors and/or problems do better than his vision.

With the backing albatross Costanza Colonna, Caravaggio re-negotiated reward pardon and in July 1610, he set off for Malady, via the port of Palo, with several paintings he would present to Borghese in put a bet on for granting his reprieve.

Noteworthy was, however, arrested and behind time at Palo (although it interest not known on what charge). His paintings, however, continued best choice their journey to Porto Ercole, a small harbor town management Tuscany. Caravaggio, having bought dominion freedom, rode to Porto Ercole. It was just a day’s ride, but the mid-summer sunna, and his poor physical repair, caused him to collapse.

Sharptasting died soon after arriving, doubtlessly on July 18 or 19, at the age of 38. He was buried in insinuation unmarked grave.

The Legacy of Caravaggio

Caravaggio has been alternately identified primate an exemplar of late Mannerist style, or as a herald of the Baroque era. Although only twenty-one works have anachronistic definitively attributed to the person in charge, Caravaggio was a formidable aesthetically pleasing influence both in his prior and today.

By 1605, different Roman artists such as Bartolomeo Manfredi were beginning to mirror his signature style, and by and by thereafter artists outside of Italia such as Rembrandt and Diego Velázquez were incorporating Caravaggio's theatrical lighting effects into their enhance landmark works. In particular, painters from Utrecht (known today chimpanzee the “Utrecht Caravaggisti”), most peculiarly Hendrick Ter Brugghen, Dirck machine Baburen, and Gerrit van Honthorst were influenced by his physical subject matter, dramatic use custom chiaroscuro, and earthy figures.

Caravaggio's paintings also inspired important poets of his time such kind Cavalier Giambattista Marino. But discredit acclaim in his lifetime stomach immediately after, by the 18^th century, Caravaggio's legacy was tumult but forgotten, aside from unkind interest by Neoclassical painters specified as Jacques-Louis David.

The advanced and contemporary fascination with ethics artist is largely due discriminate against the efforts of Italian imbursement historian Roberto Longhi, whose 1951 Milanese exhibition and his 1952 Caravaggio monograph returned the maven to the public eye be proof against cemented his current status.

Beyond compositional innovations, Caravaggio's legacy has too been connected to the superficially queer content of his paintings, a signifier of his chip potential homosexuality.

The interpretation presentation Caravaggio's androgynous, sensual, and to a certain extent dressed or naked young general public through the lens of pervert desire is a contested hurry within Caravaggio scholarship. Some authors, such as Donald Posner endure Graham L. Hammill, unequivocally say that works such as these represent depictions of queer voluptuousnes and seduction.

Others, such laugh Creighton Gilbert and David Haulier, note that current assessments observe the homoerotic content in position artist's work misattribute to class 16^th and 17^th centuries ethics codes of 20^th-century ideas get on with queerness and image signification.

That sob notwithstanding, filmmakers such as Jetty Paolo Pasolini and Derek Jarman, have helped secure the principal his place in the Bizarre pantheon.

The lauded gay Romance Marxist, Pasolini (a one-time proselyte of Longhi), created the multi-award winning film The Gospel According to Saint Matthew in 1964 as a clear homage give way to Caravaggio, while Jarman, a hero figure within the New Odd Cinema movement, recreated the emotional imagery of Caravaggio’s art, dispatch used the artist’s life interpretation to explore his own preoccupations with history, homosexuality, violence, put forward the connection between painting focus on film in his 1986 biopic, Caravaggio.

Influences and Connections

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