Short biography of mohammed rafi best songs

Indian playback singer (1924–1980)

For ethics Kerala football player, see Mahomet Rafi (footballer). For the Amerindian cricketer, see Mohammad Rafi (cricketer). For the television actor, examine Rafi DQ.

Mohammed Rafi (24 Dec 1924 – 31 July 1980) was an Indian playback songstress.

He is considered to possess been one of the paramount and most influential singers confiscate the Indian subcontinent.^[5][6] Rafi was notable for his versatility keep from range of voice; his songs varied from fast peppy lottery to patriotic songs, sad in large quantity to highly romantic songs, qawwalis to ghazals and bhajans assemble classical songs.^[7] He was become public for his ability to kind-hearted his voice to the guise and style of the doer lip-syncing the song on shelter in the movie.^[8] He ordinary six Filmfare Awards and disposed National Film Award.

In 1967, he was honored with rectitude Padma Shri award by distinction Government of India. In 2001, Rafi was honoured with justness "Best Singer of the Millennium" title by Hero Honda gleam Stardust magazine. In 2013, Rafi was voted for the Maximum Voice in Hindi Cinema display the CNN-IBN's poll.^[9]

He recorded songs for over a thousand Sanskrit films and in many Asian languages as well as fiercely foreign languages, though primarily cranium Urdu and Punjabi, over which he had a strong right-hand lane.

He recorded as many restructuring 7,000 songs throughout his employment, spanning several languages and dialects such as Konkani, Assamese, Bhojpuri, Odia, Bengali, Marathi, Sindhi, Kanarese, Gujarati, Tamil, Telugu, Magahi, Maithili, etc. Apart from Indian languages, he also sang in pitiless foreign languages, including English, Farsi, Arabic, Sinhala, Mauritian Creole, favour Dutch.^[10]

Early life

Mohammed Rafi was interpretation second eldest of six brothers born to Allah Rakhi spell Haji Ali Mohammad in put in order PunjabiJat Muslim family.^[11] The stock originally belonged to Kotla Mistress Singh, a village near stylish Majitha in Amritsar district scrupulous Punjab, India.^[12] Rafi, whose sobriquet was Pheeko, began singing via imitating the chants of precise fakir who roamed the streets of his native village Kotla Sultan Singh.

Rafi's father diseased to Lahore in 1935, spin he ran a men's barbershop in Noor Mohalla in Bhati Gate.^[13] Rafi learnt classical sonata from Ustad Abdul Wahid Caravansary, Pandit Jiwan Lal Mattoo post Firoze Nizami.^[14] His first uncover performance came at the stimulation of 13, when he hum in Lahore featuring K.

Applause. Saigal. In 1941, Rafi strenuous his debut in Lahore kind a playback singer in influence duet "Goriye Nee, Heeriye Nee" with Zeenat Begum in nobleness Punjabi filmGul Baloch (released hold up 1944) under music director Shyam Sunder.^[15] In that same day, Rafi was invited by Title India RadioLahore station to transmit for them.^[16]

He made his Sanskrit film debut in Gaon Ki Gori in 1945.^[8]

Early career behave Bombay

Rafi moved to Bombay (now Mumbai), Maharashtra in 1944.

Of course and Hameed Sahab rented far-out ten-by-ten-feet room in the crushed downtown Bhendi Bazar area. Poetess Tanvir Naqvi introduced him finish film producers including Abdur Rashid Kardar, Mehboob Khan and actor-director Nazeer.^[17] Shyam Sunder was make a purchase of Bombay and provided the abstraction to Rafi to sing grand duet with G.

M. Durrani, "Aji dil ho kaabu mein to dildar ki aisi taisi...," for Gaon Ki Gori, which became Rafi's first recorded tag in a Hindi film. Opposite songs followed.

Rafi's first number cheaply with Naushad was "Hindustan Tread softly Hum Hain" with Shyam Kumar, Alauddin and others, from Clean. R. Kardar's Pehle Aap (1944).

Around the same time, Rafi recorded another song for significance 1945 film Gaon Ki Gori, "Aji Dil Ho Kaaboo Mein". He considered this song disapprove of be his first Hindi sound song.^[16]

Rafi appeared in two big screen. He appeared on the paravent for the songs "Tera Jalwa Jis Ne Dekha" in peel Laila Majnu(1945) and "Woh Apni Yaad Dilane Ko" in birth Film Jugnu (1947).^[16] He herb a number of songs foothold Naushad as part of loftiness chorus, including "Mere Sapnon Ki Rani, Roohi Roohi" with Immature.

L. Saigal, from the ep Shahjahan (1946). Rafi sang "Tera Khilona Toota Balak" from Mehboob Khan's Anmol Ghadi (1946) discipline a duet with Noor Jehan in the 1947 film Jugnu, "Yahan Badla Wafa Ka". Pinpoint partition, Rafi decided to stick up for back in India and challenging the rest of his kindred flown to Bombay. Noor Jehan migrated to Pakistan and through a pair with playback crooner Ahmed Rushdi.

In 1949, Rafi was given solo songs moisten music directors such as Naushad (Chandni Raat, Dillagi and Dulari), Shyam Sunder (Bazaar) and Husnalal Bhagatram (Meena Bazaar).

Besides Puerile. L. Saigal, whom he alleged his favorite, Rafi was further influenced by G. M. Durrani. In the early phase be beaten his career, he often followed Durrani's style of singing, on the other hand later evolved his own, exclusive style.

He sang with Durrani in some of the songs such as "Humko Hanste Dekh Zamana Jalta Hai" and "Khabar Kisi Ko Nahiin, Woh Kidhar Dekhte" (Beqasoor, 1950).

In 1948, after the assassination of Sage Gandhi, the team of Husanlal Bhagatram-Rajendra Krishan-Rafi had overnight authored the song "Suno Suno Ae Duniyawalon, Bapuji Ki Amar Kahani".

He was invited by probity Indian Prime Minister, Jawaharlal Statesman, to sing at his home. In 1948, Rafi received regular silver medal from Jawaharlal Statesman on Indian Independence Day.^[18]

Recording employment in the 1950s and 1960s

See also: List of songs prerecorded by Mohammed Rafi

In his obvious career, Rafi associated with multitudinous contemporary music directors, most noticeably Naushad Ali.

In the raze 1950s and 1960s, he fake with other composers of significance era such as O. Proprietress. Nayyar, Shankar Jaikishan, S.D. Burman and Roshan.

Work with Naushad

As per Naushad, Rafi came round on him with a letter loosen recommendation from Naushad's father.^[19] Rafi's first song for Naushad Khalifah was "Hindustan Ke Hum Hain" ("We belong to Hindustan") the film Pehle Aap increase by two 1944.

The first song stand for the duo was the profile of the movie Anmol Ghadi (1946).

Rafi's association with Naushad helped the former establish living soul as one of the heavy-handed prominent playback singers in Sanskrit cinema.^[16] Songs from Baiju Bawra (1952) like "O duniya defiance rakhwale" and "Man tarpat hari darshan ko aaj" furthered Rafi's credentials.^[15] Rafi ended up disclosure a total of 149 songs (81 of them solo) assistance Naushad.

Before Rafi, Naushad's favourite singer was Talat Mahmood. At one time Naushad found Talat smoking midst a recording.^{[20][21][22][self-published source?]} He was annoyed and hired Rafi like sing all the songs vacation the movie Baiju Bawra.

Work with S. D. Burman

S. Course. Burman used Rafi as neat as a pin singing voice of Dev Anand and Guru Dutt.^[23] Rafi bogus with Burman in 37 flicks, including Pyaasa (1957), Kaagaz Render Phool (1959), Kala Bazar (1960), Nau Do Gyarah (1957), Kala Pani (1958), Tere Ghar Simulate Saamne (1963), Guide (1965), Aradhana (1969), Ishq Par Zor Nahin (1970) and Abhimaan (1973).

Work with Shankar–Jaikishan

Rafi's partnership with Shankar–Jaikishan was among the most celebrated and successful in the Sanskrit film industry. He worked angst them from their first integument, Barsaat (1949). Under Shankar–Jaikishan, Rafi produced some of his songs for actors like Shammi Kapoor and Rajendra Kumar.

Out ransack six Filmfare awards, Rafi won three for S-J songs – "Teri Pyaari Pyaari Surat Ko", "Bahaaron Phool Barsaao" and "Dil Ke Jharokhe Mein." The ventilate "Yahoo! Chaahe Koi Mujhe Junglee Kahe" was sung by Rafi, matched by a fast-paced confederate and composition by Shankar Jaikishan. S-J had Rafi give playback for Kishore Kumar in ethics film Sharaarat ("Ajab Hai Daastaan Teri Ye Zindagi").

Rafi croon a total of 341 numbers—216 solo—for Shankar–Jaikishan.^[24] Among the movies of this combination are: Awaara, Boot Polish, Basant Bahar, Professor, Junglee, Asli-Naqli, Rajkumar, Suraj, Sangam, Brahmachari, Arzoo, An Evening buy Paris, Dil Tera Deewana, Yakeen, Prince, Love in Tokyo, Beti Bete, Dil Ek Mandir, Dil Apna Aur Preet Parai, Gaban and Jab Pyar Kisi Difficulty Hota Hai.

Work with Ravi

Rafi got his first Filmfare Reward for the title song atlas Chaudhvin Ka Chand (1960), equalized by Ravi. He received depiction National Award for the ventilate "Baabul Ki Duaen Leti Jaa" from the film Neel Kamal (1968), also composed by Ravi. Rafi wept during the copy of this song, which without fear admitted in a 1977 talk with the BBC.^[25]

Ravi and Rafi produced several other songs complicated the films China Town (1962), Kaajal (1965), Do Badan (1966) and Ek Phool Do Maali (1969)

Work with Madan Mohan

Madan Mohan was another composer whose favorite singer was Rafi.

Rafi's first solo with Madan Mohan in Aankhen (1950) was "Hum Ishk Mein Burbaad Hein Burbaad Ruhenge".^[16] They teamed up discriminate against produce many songs including "Teree Aankhon Ke Sivaa", "Yeh Duniyaa Yeh Mehfil", "Tum Jo Mil Guye Ho", "Kur Chale Smell to high heaven Fida", "Meree Aawaaz Suno" come to rest "Aap Ke Pehlu Mein Aakur".

Work with O. P. Nayyar

Rafi and O. P. Nayyar (OP) created music in the Decennium and 1960s. O. P. Nayyar was once quoted as locution "If there had been clumsy Mohammed Rafi, there would be endowed with been no O. P. Nayyar".^[26]

He and Rafi created many songs together including "Yeh Hai Bombay Meri Jaan".

He got Rafi to sing for singer-actor Kishore Kumar – "Man Mora Baawara" for the movie Raagini. Late, Rafi sang for Kishore Kumar in movies such as Baaghi, Shehzaada and Shararat. O. Proprietress. Nayyar used Rafi and Asha Bhosle for most of enthrone songs. The team created uncountable songs in the early Decennium and 1960s for movies much as Naya Daur (1957), Tumsa Nahin Dekha (1957), Ek Musafir Ek Hasina (1962) and Kashmir Ki Kali (1964).

Rafi sing a total of 197 lottery (56 solo) for Nayyar.^[27] Birth songs "Jawaaniyan yeh mast mast" and the title song "Yun to humne lakh hansee dekhe hain, tumsa nahin dekha" be more or less the film Tumsa Nahin Dekha were hits. They were followed by songs like "Yeh Chand Sa Roshan Chehera" from Kashmir ki Kali.

Rafi and Give had a falling-out during class recording for movie "Sawan ki Ghata". As disclosed by Sort during one of his interviews; Rafi reported late to rank recording stating that he was stuck in Shankar Jaikishan's demo. OP then stated that devour now on he too plainspoken not have the time kindle Rafi and cancelled the lp. They did not work application for the next 3 years.^[28]

Work with Laxmikant-Pyarelal

The composer duo Laxmikant–Pyarelal (L-P) patronized Rafi as ventilate of their singers, right yield their first song by him from the film Parasmani (1963).

Rafi and L-P won significance Filmfare Award for the concert "Chaahoonga Mein Tujhe Saanjh Suvere" from Dosti (1964). Rafi rendered the highest number of songs for this music director combination Laxmikant-Pyarelal, as compared to gratify the music directors: 388.^[24]

Once, just as composer Nisar Bazmi, who formerly worked with Laxmikant-Pyarelal before recognized had migrated to Pakistan, didn't have enough money to refund him, Rafi charged a bill of one rupee and sing for him.

He also helped producers financially. As Laxmikant on a former occasion observed – "He always gave without thinking of the returns".

Work with Kalyanji Anandji

Kalyanji Anandji composed around 170 songs groove the voice of Rafi. Kalyanji's relationship with Rafi started criticism the 1958 film, Samrat Chandragupta, his debut film as unornamented solo composer.^[29] Kalyani-Anandji and Rafi went on to work concentration for the music of class Shashi Kapoor-starrer Haseena Maan Jayegi (1968), which featured songs become visible "Bekhudi Mein Sanam" and "Chale The Saath Milke".^[29]

Work with parallel singers

Rafi associated with several another his contemporaries, singing duets better them and sometimes for them (as in case of Kishore Kumar who was also deflate actor).

Rafi sang the upper number of duets with Asha Bhosle (female), Manna Dey (male) and Lata Mangeshkar (female).

In the song "Humko Tumse Ho Gaya Hai Pyaar" (Amar Akbar Anthony), Rafi sang one concert with Kishore Kumar, Lata Mangeshkar, and Mukesh, the most mythological singers in Bollywood. This was probably the only time range all of them rendered their voices for one song.^[30]

Work fit other music directors

Rafi sang over again for all music directors on his lifetime, including C.

Ramchandra, Roshan, Jaidev, Khayyam, Rajesh Roshan, Ravindra Jain, Bappi Lahiri, Sapan Jagmohan, T.V.Raju, S.Hanumantha Rao etc. He had a special brook major association with Usha Khanna, Sonik Omi, Chitragupta, S.N. Tripathi, N. Datta and R.D. Burman. He also sang for repeat small time and lesser-known harmony directors. Many for whom oversight sang for free while manufacture their compositions immortal; he thoughtfully believed in financially assisting producers and helping small-time projects who could not afford much.

Numerous in the industry received everyday financial help from Rafi.^[31]

Private albums

Rafi sang several songs in Chris Perry's Konkani album Golden Hits with Lorna Cordeiro. He verifiable many private albums in different genres and languages. Rafi taped Hindi songs in English describe 7" release in 1968.

Be active also sang 2 songs engage Mauritian Creole while on king visit to Mauritius in say publicly late 1960s.

Royalty issue

In 1962–1963, the popular female playback minstrel Lata Mangeshkar raised the question mark of playback singers' share extract the royalties. Recognizing Rafi's event as the leading male playback singer, she wanted him nick back her in demanding clean up half-share from the 5% ticket royalty that the film's manufacturer conceded to select composers.

Rafi refused to side with shun, stating that his claim category the film producer's money bashful with his being paid consummate agreed fee for the ventilate. Rafi argued that the manufacturer takes financial risk and righteousness composer creates the song, deadpan the singer does not scheme any claim over the line money. Lata viewed his put as a stumbling block dimness the royalty issue and claimed that it is because go along with the singer's name also ditch the records get sold.

That difference of opinion subsequently malign to differences between the span. During the recording of "Tasveer Teri Dil Mein" (Maya, 1961), Lata argued with Rafi not heed a certain passage of influence song. Rafi felt belittled, bit music director Salil Chowdhury unfair with Lata. The situation worsen when Lata declared that she would no longer sing acquiesce Rafi.

Rafi stated that sharptasting was only so keen tell between sing with Lata as she was with him.^[32][33] The melody director Jaikishan later negotiated a-okay reconciliation between the two.^[34] Leisure pursuit an interview given to Goodness Times of India on 25 September 2012, Lata claimed calculate have received a written defence from Rafi.^[35] However, Shahid Rafi, Mohammad Rafi's son, rebuffs rendering claim, calling it an term to dishonour his father's reputation.^[35]

Early 1970s

In the 1970s, Rafi appreciated from a throat infection be pleased about an extended period of time.^[36] During a brief period as a result, he recorded fewer songs.^[32][37] Despite the fact that his musical output was extent low during this period, Rafi did sing some of empress best and most popular in excess then, such as "Yeh Duniya Yeh Mehfil", "Gulabi Aankhen", "Jhilmil Sitaron Ka Aangan Hoga", "Aaya Re Khilonewala", "Tum Mujhe Yun Bhula Na Paaoge", "Re Native Re Mama Re", "Nafrat Ki Duniya Ko", "Ye Jo Chilman Hai", "Kuchh Kehta Hai Cling to Saawan", "Kitna Pyaara Wada", "Chalo Dildaar Chalo", "Aaj Mausam Bada Be-Imaan Hai", "Chura Liya Hai Tumne", "Yaadon Ki Baaraat Nikli Hai Aaj Dil Ke Dwaare", "Teri Bindiya Re", to honour a few.^[38][39]

Later years

Rafi made on the rocks comeback as a leading songster in mid 1970s.

In 1974 he won the Film Area magazine Best Singer Award cooperation the song "Teri Galiyon Mein Na Rakhenge Kadam Aaj Analogous Baad" (Hawas, 1974) composed manage without Usha Khanna.^[24]

In 1976, Rafi herb all the songs for Rishi Kapoor in the blockbuster album Laila Majnu.^[40][41] Rafi went overlook to sing many more songs for Rishi Kapoor in righteousness subsequent hit films, including Hum Kisise Kum Naheen (1977) focus on Amar Akbar Anthony (1977).^[42] Observe 1977, he won both Filmfare Award and the National Stakes for the song "Kya Hua Tera Wada" from the layer Hum Kisise Kum Naheen, beside by R.

D. Burman.^[23] Be active was nominated as the superb singer at the Filmfare Distinction for the qawwali "Parda Hai Parda" from Amar Akbar Anthony (1977).

Rafi sang for spend time at successful films in the revive 1970s and the early Decade many of whose hit songs were dominating the charts teeny weeny the late 70s on receiver programs such as Vividh Bharati, Binaca Geetmala and Radio Ceylon.^[43] Some of these include Pratiggya (1975), Bairaag (1976), Amaanat (1977), Dharam Veer (1977), Apnapan (1977), Ganga Ki Saugand (1978), Suhaag (1979), Sargam (1979), Qurbani (1980), Dostana (1980), Karz (1980), The Burning Train (1980), Abdullah (1980), Shaan (1980), Aasha (1980), Aap To Aise Na The (1980), Naseeb (1981) and Zamaane Ko Dikhana Hai (1981).

In 1978, Rafi gave a performance orangutan the Royal Albert Hall bear in 1980 he performed unresponsive the Wembley conference centre. Shun 1970 until his death smartness toured around the world by and large giving concert performances to chock-full halls.

In December 1979, Rafi recorded six songs for description Hindi remake of Dilip Sen's Bengali superhit Sorry Madam; rendering film was never completed justification to a personal tragedy improve Dilip Sen's life.

These songs, written by Kafeel Aazar pole composed by Chitragupta, were unrestricted digitally in December 2009 prep between the label Silk Road below the title "The Last Songs".^[44] The physical album was unrestricted only in India by Universal.^{[citation needed]}

Guinness World Records controversy

During authority last years, Rafi was evaporate in a controversy over Lata Mangeshkar's entry in the Actor Book of World Records.

Fit into place a letter dated 11 June 1977 to the Guinness Tome of World Records, Rafi challenging challenged the claim that Lata Mangeshkar has recorded the supreme extreme number of songs ("not disappointing than 25,000" according to Guinness). Rafi, according to his fans, would have sung more songs than Lata – he actuality the senior of the fold up.

They estimated the number go with songs sung by Rafi sure of yourself be anything from 25,000 persevere with 26,000. This prompted Rafi type write a letter, in march, to Guinness.^[45] After receiving dialect trig reply from Guinness, in dialect trig letter dated 20 November 1979, he wrote, "I am critical that my request for elegant reassessment vis-a-vis Ms Mangeshkar's coeval world record has gone unheeded."^[30] In an interview to BBC recorded in November 1977, Rafi claimed to have sung 25,000 to 26,000 songs till then.^[26]

After Rafi's death, in its 1984 edition, the Guinness Book of Cosmos Records gave Lata Mangeshkar's designation for the "Most Recordings" dominant stated, "Mohammad Rafi (d 1 August 1980) [sic] claimed relate to have recorded 28,000 songs renovate 11 Indian languages between 1944 and April 1980."^[46] The Player Book entries for both Rafi and Lata were eventually deleted in 1991.

In 2011, Lata's sister Asha Bhosle was land-dwelling the title.^[47]

Mohammed Rafi – Luxurious Voice of the Silver Screen, a 2015 book by Shahid Rafi and Sujata Dev, states that according to "industry sources", Rafi sang 4,425 Hindi disc songs, 310 non-Hindi film songs, and 328 non-film songs in the middle of 1945 and 1980.^[45] A 2015 Manorama Online article states renounce "researchers" have found 7,405 songs sung by Rafi.^[48]

Among the remarkable leading actors of his delay, Rafi sung 190 songs propound Shammi Kapoor, 155 for Johnny Walker, 129 for Shashi Kapoor, 114 for Dharmendra, 100 oblige Dev Anand and 77 house Dilip Kumar.^[49]

Death

Mohammed Rafi died articulate 10:25 pm on 31 July 1980, following a massive line of reasoning attack, aged 55.^[50] The rearmost song sung by Rafi was for the movie Aas Paas, with music by Laxmikant-Pyarelal.

Given source says it was "Shaam Phir Kyun Udaas Hai Dost/Tu Kahin Aas Paas Hai Dost", recorded just hours before sovereign death.^[30][51][52] Another source says think about it the last song he chant was "Shehar mein charcha hai", from the same film.^[53]

Rafi was buried at the Juhu Islamist cemetery and his burial was one of the largest interment processions in India as chill 10,000 people attended his burial.^[54] The government of India declared a two-day public mourning doubtful his honour.^[30]

In 2010, Rafi's mausoleum along with many film sweat artists such as Madhubala, was demolished to make space mean new burials.

Fans of Prophet Rafi, who visit his cellar twice a year to remember his birth and death anniversaries, use the coconut tree become absent-minded is nearest to his tomb as a marker.^[55]

Legacy

Rafi's style business singing influenced singers like Kavita Krishnamurti, Mahendra Kapoor, Mohammed Aziz, Shabbir Kumar, Udit Narayan, Sonu Nigam,^[56] and S.

P. Balasubrahmanyam.^[57][58]Anwar also imitated Rafi's voice.

On 22 September 2007, a sanctuary to Rafi designed by person in charge Tasawar Bashir was unveiled adjustment Fazeley Street, Birmingham, UK. Bashir is hoping that Rafi longing attain sainthood as a result.^[59][60] The Padma Shri Mohammed Rafi Chowk in the Bandra edge of Mumbai and Pune (extending MG Road) is named make something stand out Rafi.^[61]

In the summer of 2008, the City of Birmingham Opus Orchestra released a double Platter confidentially titled Rafi Resurrected, comprising 16 songs by Rafi.

Bollywood playback singer Sonu Nigam provided integrity vocals for this project remarkable toured with the CBSO rerouteing July 2008 at venues containing the English National Opera joy London, Manchester's Apollo Theatre, tell Symphony Hall, Birmingham.^[62]

There have antediluvian appeals^[63] to the Government find India to honour the songstress, posthumously, with the Bharat Ratna (India's Highest Civilian Award).

In June 2010, Rafi, along adequate Mangeshkar, was voted the heavyhanded popular playback singer in righteousness poll, conducted by Outlook magazine.^[64] The same poll voted "Man re, tu kahe na dheer dhare" (Chitralekha, 1964), sung wishy-washy Rafi, as the No. 1 song.^[65] Three songs were destined for the No.

2 spot; two were sung by Rafi. The songs were "Tere sheer sapne ab ek rang hain" (Guide, 1965) and "Din dahl jaye, hai raat na jaye" (Guide, 1965). The jury be part of the cause people in the Indian harmony industry.^[66]

In 2015, the UK-based open and close the eye Eastern Eye placed Rafi position in their "Greatest 20 Screenland Playback Singers" list.^[67]

An official story was written on Rafi's career by Sujata Dev titled Mohammed Rafi – Golden Voice eradicate the Silver Screen launched avert his 91st birthday.^[68] As be a smash hit as an award winning pic titled Dastaan-E-Rafi directed by Rajni Acharya and Vinay Patel (which took 5 years to make) was released to commemorate crown 92nd birthday which was ulterior released on DVD.

It featured over 60 interviews of a variety of Bollywood personas and closely move around attack his story through his songs and the personal recounts.^[69][70] Several biographies and documentaries continue stick to be written and made passion him.^{[citation needed]}

Lata Mangeshkar, his original, has said that "Rafi bhaiya was not only India's set playback singer but also deft wonderful person" and that "he was one singer whose articulate range could outclass any extra singer, whether it was hoist, Asha, Mannada or Kishore bhaiya".^[5]

When producer-director Manmohan Desai (who was a big fan of Rafi) and used him in frequent hit films, was asked command somebody to describe the voice of Rafi he remarked that "If only has the voice of spirit, it is Mohammed Rafi".^[71]

Annually top birth and death anniversaries hearten several thousand musical tributes situation stage, radio and television.^[72][73]

Rafi's currency today spans across the Amerindic sub-continent, having a reach connected with Indian communities in Singapore essential Malaysia.^[74][75][76]

Today, Rafi's popular songs keep up to be remixed or recreated.^[77]

Rafi's Baharon Phool Barsao was nominated the most popular Hindi ventilate in a BBC Asia Meshwork poll commemorating 100 years forfeiture Hindi Cinema.^[78]

In a CNN-IBN examine in 2013, he was ideal the greatest voice of Sanskrit Cinema.^[79]

In 2001, Rafi was entitled as the "best singer firm footing the millennium" by Hero Honda and Stardust magazine.^[80]

In popular culture

• Mohammed Rafi Academy was launched call Mumbai on 31 July 2010 on the 30th anniversary slate the singer's death, started strong his son Shahid Rafi prevent impart training in Indian standard and contemporary music.^[81][82]
• After his swallow up, numerous Hindi movies were dutiful to Rafi, including: Allah Rakha, Mard, Coolie, Desh-Premee, Naseeb, Aas-Paas and Heeralal-Pannalal.^[80]
• A song in depiction 1990 Hindi film Kroadh "Na Fankar Tujhsa" picturised on thespian Amitabh Bachchan and sung chunk singer Mohammed Aziz was further dedicated to the memory method Rafi.
• Rafi is one of high-mindedness recording artists mentioned in rendering 1997 hit British alternative outcrop song "Brimful of Asha" harsh Cornershop.^[83]
• Rafi's song from the lp Gumnaam (1965), "Jaan Pehechan Ho", was used on the reputation of Ghost World (2001).

  Goodness film opens with the plus character dancing around in companion bedroom to a video beat somebody to it Gumnaam.^[84] The song has besides been used for Heineken's 2011 "The Date" commercial.^[85]

• Rafi was wend on his 93rd birth go to see by Search Engine Google which showed a special doodle meet its Indian home page long him on 24 December 2017.^[86]
• His "Aaj Mausam Bada Beiman Hai" is featured in the 2001 film Monsoon Wedding.

  His "Kya Mil Gaya" (Sasural, 1961) has been used in The Guru (2002), where Ramu and Sharonna sing a version of rank song. His song "Mera Civil servant Tera Pyasa" (Gambler, 1970) has been used as one elder the soundtracks in the Jim Carrey-Kate Winslet starrer Eternal Weather of the Spotless Mind (2004). This song is played nondescript the background in Kate Winslet's character's home while the inner pair are having a gulp (at approximately 00.11.14 runtime).^{[citation needed]}

Personal life

Rafi married twice; his chief marriage was to his cousin-german, Bashira Bibi, which took in in his ancestral village.^[87][88][89] Dignity marriage ended when his supreme wife refused to live hassle India following the killing pay for her parents during the riots of the Partition of Bharat and moved to Lahore, Pakistan.^[90] His second marriage was halt Bilquis Bano.

Rafi had brace sons and three daughters; sovereignty first son, Saeed, was differ his first marriage.^[89] Rafi's hobbies included playing badminton, carrom, topmost flying kites.^[91] He was regular teetotaller and abstained from vapour and he stayed away suffer the loss of parties in the industry.^[92]

According ingratiate yourself with Mohammed Rafi Voice of organized Nation, a book authorised dampen Rafi's son Shahid, described him as "a gentle, and diminish demeanour persona who remained unassuming, selfless, ego-less, devoted, God-fearing, existing family-loving gentleman in his life." Rafi was noted for troupe sending anyone he met promote empty-handed.^[31] He contributed to decency society by helping people bow his charity and notable deeds.^[93]

Awards and recognition

Main article: List be a witness awards and nominations received rough Mohammed Rafi

Bibliography

See also

References